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1989: Lopatin's father stops gigging the Ukranian restaurant scene and awards his only son and sentry of the family name with a synthesizer, perhaps hoping that he would proudly calibrate Song. Instead, insubordinate son overwrites accordian presets in favor of forcefield vibe and increasingly sadder circuits/haunted by visions of a polygonous lovergirl from the future claiming that she has a recording of his opus from 2027. fantasy trope/zones without people. The experience is released as an LP called Young Beidnahga under the German imprint Bonghe Periskop. Meditation for 50 string fretless bass and clouds/Infinity Window (cybertraumatized) alongside Taylor Richardson. Lopatin's occupation as an associate professor of Possible Sexual Musics at conservatory rarely if ever puts bread on the table. nevertheless convinced of infinite resources.

 
DONT GIVE UP DONT GIVE UP DONT GIVE UP DONT GIVE UP DONT GIVE UP DONT GIVE UP DONT GIVE UP DONT GIVE UP